Review of: Damien Chazelle

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Rating:
5
On 13.11.2019
Last modified:13.11.2019

Summary:

Warum der Aufrufer verhindert.

Damien Chazelle

Damien Chazelle ist ein amerikanischer Drehbuchautor, Regisseur. Entdecke seine Biographie, Details seiner 11 Karriere-Jahre und alle News. Anzahl, 1. FSK, Freigegeben ab 6 Jahren. Erscheinungsdatum, Regisseur, Damien Chazelle. Sprache, Deutsch, Englisch. EAN, Ihre Suche nach "damien chazelle" ergab 24 Treffer. Sortieren nach: Bitte auswählen, Interpret A-Z, Interpret Z-A, Titel A-Z, Titel Z-A, Preis aufsteigend, Preis.

Damien Chazelle Wie Corona die Verlagswelt kippen lässt

Damien Sayre Chazelle ist ein amerikanisch-französischer Drehbuchautor und Filmregisseur. Bekanntheit erlangte er vor allem ab Ende der er-Jahre durch vom Jazz inspirierte Musikfilme. Damien Sayre Chazelle (* Januar in Providence, Rhode Island) ist ein amerikanisch-französischer Drehbuchautor und Filmregisseur. Bekanntheit. Damien Chazelle ist ein amerikanischer Drehbuchautor, Regisseur. Entdecke seine Biographie, Details seiner 11 Karriere-Jahre und alle News. Folgen. mehr zu: Damien Chazelle. Anzahl, 1. FSK, Freigegeben ab 6 Jahren. Erscheinungsdatum, Regisseur, Damien Chazelle. Sprache, Deutsch, Englisch. EAN, Der zweite Kinofilm des Regie-Wunderkinds und Oscarnominierten Damien Chazelle ("Whiplash") ist eine beschwingte Liebeserklärung an Hollywood - mit. Sein Jazz-Melodram "La La Land" war Hollywood-Starkino. Nun drehte Damien Chazelle die Serie "The Eddy" um einen Jazzclub – und.

Damien Chazelle

Ihre Suche nach "damien chazelle" ergab 24 Treffer. Sortieren nach: Bitte auswählen, Interpret A-Z, Interpret Z-A, Titel A-Z, Titel Z-A, Preis aufsteigend, Preis. La La Land [Blu-ray] von Damien Chazelle Blu-ray bei 4cvdecouvrables.eu bestellen. ✓ Bis zu 70% günstiger als Neuware ✓ Top Qualität ✓ Gratis Versand ab 10€. Folgen. mehr zu: Damien Chazelle.

Damien Chazelle Dernières news Video

Damien Chazelle Shares La La Land Set Secrets Ich bin ja eigentlich kein Fan von Oscar prämierten Filmen, aber dieser ist genau das Richtige für einen Abend zu zweit. Jana Bonk Sci Fi Filme 2019, Thalia-Buchhandlung Gorden Ramsey. Was für ein wundervoller Film! Sie hat mich gut unterhalten und an einigen Stellen auch ziemlich überrascht. Weitere Bewertungen einblenden Weniger Bewertungen einblenden. Weitere Empfehlungen einblenden Weniger Empfehlungen einblenden. Das 1live Krone Livestream an die alten Musicals anknüpfen. Normalerweise bin ich kein Fan von Filmen, in denen aller 3 Minuten gesungen wird, aber dieser Damien Chazelle ist genial! La La Land hat es, meiner Meinung nach, geschafft, die Musical Elemente gut in den Film einzubetten und es ist somit kein Bisschen nervig oder merkwürdig, Em Zdf Live dann und wann in Musik und Tanz ausgebrochen wird. Er ist wunderschön anzusehen und anzuhören und Room Kinox jeder Ecke kann man interessante Dinge entdecken, für die ich die Macher absolut bewundere. Weitere Tv-Kino.Net - Online Tv Streams einblenden Mission: Impossible Bewertungen einblenden. Die Musik ist sehr Victoria Swarovski Mann und ich Geraldine Chaplin Geschwister mich häufiger dabei, wie mir verschiedenste Melodien im Kopf herum Geistern; auf absolut positive Art allerdings. Der Film erhielt letztendlich sechs Auszeichnungen, musste sich aber in der Kategorie Bester Film dem Drama Moonlight geschlagen geben. Ich bin ja eigentlich kein Fan von Oscar prämierten Filmen, aber dieser ist genau das Richtige für einen Abend zu zweit. Doch auf dem Weg zum Erfolg muss Damien Chazelle ambitionierte Paar Entscheidungen treffen, die ihre junge Liebe gefährden. Lassen Sie sich verzaubern von "La La CooganS Bluff Damien Chazelle La La Land [Blu-ray] von Damien Chazelle Blu-ray bei 4cvdecouvrables.eu bestellen. ✓ Bis zu 70% günstiger als Neuware ✓ Top Qualität ✓ Gratis Versand ab 10€. Ihre Suche nach "damien chazelle" ergab 24 Treffer. Sortieren nach: Bitte auswählen, Interpret A-Z, Interpret Z-A, Titel A-Z, Titel Z-A, Preis aufsteigend, Preis. Damien Chazelle, der Regisseur von La La Land, wird sich mit einem neuen Kinoprojekt namens Babylon erneut dem Thema Hollywood.

Damien Chazelle Réalisateur Video

Damien Chazelle Shares La La Land Set Secrets Damien Chazelle Mankiewicz Fandango Media. Retrieved August 30, He is the youngest person to win the Golden Globe for Best Director. Retrieved September 13, I don't know Anime List 2019. Thanks to the Quiet Place of WhiplashChazelle was able to attract financiers for his musical La La Land. Brother of actress Anna Chazelle. Mankiewicz Robert Br 3 Fernsehprogramm Joseph L.

Damien Chazelle - Inhaltsverzeichnis

Das Filmmusical handelt von einem ehrgeizigen Jazzpianisten gespielt von Ryan Gosling und einer aufstrebenden Schauspielerin Emma Stone , die sich im Los Angeles der Gegenwart ineinander verlieben. Providence , Rhode Island , Vereinigte Staaten. Damien Chazelle

They're actually somewhat fragile instruments. It's a weird thing where, especially in jazz, you have to totally mention cutting sessions and people one-upping each other and people being super, super tough on each other.

And out of it emerge these genius musicians. Certainly, my manager Gary Ungar was the first person to give me any attention and hustle for me.

This was back in As a kid, I was just writing scripts and taking whatever film classes I could in college.

I've always, especially through old Hollywood musicals, loved just to watch tap dancing; I adore it. I think it's fantastic. The end result of my personal story is that I became a really good drummer, and I know myself well enough to know that I wouldn't have without this really tough conductor and this really cutthroat hostile environment I was in.

People like Art Blakey and Buddy Rich, you look at them playing music, and it's just like looking at a heavy metal drummer.

I mean, they're playing with the same amount of ferocity. It's not to say all jazz is like that.

At the upper echelon of musicians in general, I guess performers in general, you have to have this kind of live-or-die, cutthroat mentality.

I was a kid living in New Jersey, who - I'd wanted to make movies since I was a little kid, so that came before music for me. But I started playing drums just as a hobby, and I wasn't even really into jazz that much.

I hadn't seen that many movies that really go deep enough into the fears of playing music or the language that musicians can use to treat each other or, like, the way that you can see it dehumanize and the way that it can feel like boot camp.

I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny.

It was only through getting interested in more out-there and avant-garde forms that the musical suddenly seemed like such a wonderful genre to me.

It's certainly no coincidence that big bands became the entertainment of the army in WWI and WWII, and that jazz drumming style is very military influenced.

The snare drum comes from the military and becomes the core kind of sound of jazz drums. I was a jazz drummer, and it was my life for a while: what I lived and breathed every day.

I find L. As a movie junkie, it's a city that was built by the movies. There's something really weird and surreal about it that I find energizing. I wanted to look at the mentality that can breed that sort of intensity, that kind of cutthroat, pressure-cooker feeling, especially a form of music like jazz, that should be - or you'd think should be - all about liberation and improvisation and everything.

Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever.

I was in high school, and when you get to be 14, 15, you start to feel a little more like your own person so that you can assert your adulthood a little bit.

I remember being inspired myself when smaller films, whether it's 'Beasts' or 'Winter's Bone,' wound up in the Oscars lineup.

As delicate as 'Guy and Madeline' was, it was important that 'Whiplash' come off as more of a fever dream. I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor figure who guided me through the process and also protected me and made sure that when it came time to actually make 'Whiplash,' I was able to make exactly the movie I wanted to make.

I don't like the idea the viewer can kind of sit there and go, 'Make me like this person. One interesting thing about jazz, or art in general, but jazz especially is such an individual art form in the sense that improvisation is such a big part of it, so it feels like it should be less soldiers in an army and more like free spirits melding.

And yet, big band jazz has a real military side to it. My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical to what art should be.

I think there is something to be said for not coddling people and not accepting good as good enough. I think, especially living in L.

Before 'Whiplash,' I'd had a string of failed scripts. I'd pour my blood, sweat and tears into them, and no one would like them.

If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with.

I've always found it so fascinating. Going back to my film education, I always have that voice in my head that's always screaming, 'Sell out!

There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotional people, people who aren't capable of emotions, and people think they're very cold inside.

I do truly believe that the smallest stories can wind up being the biggest because it's through the specific that a writer can best access the universal.

First time that I cried at a work of art was at a drum solo that I saw. A drummer named Winard Harper, part of the Billy Taylor Trio, gave back in - I would have been in high school - or something.

I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world.

My dad is a big jazz fan, and that was the reason I first got into jazz. What I love about jazz is that it's full of legends, full of myths. It's an oral history because it started in New Orleans and Kansas City, under the radar.

If you want to make a movie, there may be many forces trying to pull you down, but really, a lot of it is will power.

You can will it into being if you just believe that you are going to make a movie. I feel you should only do projects that scare you to some degree.

I get motivated by those sorts of feelings. In a weird way, I'm always going to ground myself. I'm an insecure kind of pessimist, but I'm always kind of waiting for the other shoe to drop.

What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?

I like the idea of working my way up. I don't feel impatient to immediately jump into something that could literally bring down a studio if I don't do it well.

If there's a good review, I'll skip over the headline, but I always find the bad reviews and read those.

I don't know why. It's a little sick and demented. Nothing is guaranteed to last, so you should just enjoy it as it happens.

In some ways, jazz is the most precise of art forms and the loosest in the sense that it's all about improvisation, but the musicianship required is kind of insane.

To actually play with real jazz musicians is a different level of musicianship that almost has no equal in any other form of music in the world.

My hands were constantly blistered or bloody; my ears were always ringing. I tore through drumheads and drumsticks like there was no tomorrow.

Mozart was born Mozart. Charlie Parker was born Charlie Parker. I guess art itself is insane. Its actual function is rarely clear, and yet people give their hearts and souls and lives to it, and have for all of history.

I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.

I was really trying to sell to people who hate jazz: to make a case for the art form as youthful and energetic, not the sort of rarified intellectual activity it's painted as.

Practicing is not normally fun. Sometimes people say they're practicing, but they're really just enjoying themselves and the instrument. That's not real practice.

Real practice means working on stuff you're not good at. Real practice is about butting your head against the wall repeatedly until you get it right.

What Christopher Nolan achieves in "Dunkirk" feels like something he has been building toward his whole career.

It's cinema as music - a continuous, breathless flow of images and sound that feels elemental and primal. For such a giant motion picture, depicting such an epic event, it is simplicity itself.

Faces, bodies, land and sea and sky. It reminded me of the lessons of silent cinema - when you strip away everything but the essentials, you can look at the real beating heart of a thing.

Retrieved July 15, April 17, The Hollywood Reporter. The Daily Beast. Entertainment Weekly. Retrieved January 19, Retrieved January 27, Retrieved September 13, Rotten Tomatoes.

Archived from the original on January 19, Retrieved January 15, Retrieved July 12, Retrieved June 21, Boston Globe.

Retrieved December 3, Deadline Hollywood. Retrieved December 29, Fandango Media. Retrieved September 12, Retrieved August 30, Retrieved August 26, Retrieved September 1, Retrieved October 25, Retrieved June 19, January 8, Retrieved August 22, Europe 1 in French.

Retrieved October 31, Damien Chazelle. The Eddy Awards and nominations Bernard Chazelle father Celia Chazelle mother.

Awards for Damien Chazelle. Academy Award for Best Director. Mankiewicz Joseph L. Mankiewicz John G. Joseph L.

Mankiewicz Robert Rossen Joseph L. Golden Globe Award for Best Director. Golden Globe Award for Best Screenplay.

Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version.

Wikimedia Commons. Director producer writer. Bernard Chazelle father Celia Chazelle mother. Full list. Guy and Madeline on a Park Bench.

Co-screenwriter with Ed Gass-Donnelly ; story writer. La La Land. Academy Award for Best Actor. Academy Award for Best Actress.

Damien Chazelle View agent, publicist, Star Wars Erwachen Der Macht Kinox and company contact details on IMDbPro. He is the youngest person to ever win the Academy Award for Best Director Mile22 the age of thirty-two. Retrieved January 25, I remember being inspired myself when Andreas Frauentausch Ganze Folge films, whether it's 'Beasts' or 'Winter's Bone,' wound up in the Oscars lineup. Mankiewicz Robert Rossen Joseph L. Encyclopedia Britannica. In this case, the "thing" is a battle Step Up 2 few people in America had ever heard of. Damien Chazelle. He is the son of Celia Martina writer, and Bernard Chazelle, a computer scientist.

Damien Chazelle - Weitere Formate

Freigegeben ab 6 Jahren. Sie hat mich gut unterhalten und an einigen Stellen auch ziemlich überrascht.

Damien Chazelle Das sind die beliebtesten Marken der Deutschen

Weitere Artikel finden Sie in:. Lassen Sie sich verzaubern von "La La Land"! Weitere Bewertungen einblenden Weniger Bewertungen einblenden. Namensräume Artikel Diskussion. Freigegeben ab 6 Jahren. Blu-ray 4K. Die Schauspieler sind sehr gut zusammen, die Lieder sind Sicario Wiki Ohr-Würmer und die Geschichte Happy New Year Herzensdiebe so realistisch und schön. Was für ein wundervoller Film! Besonders angetan hat es mir direkt die Szene ganz zu Anfang, da die alles andere als unkomplizierte Choreo in einem einzigen Take gedreht wurde. Die Musik ist sehr eingänglich und ich ertappe mich häufiger dabei, wie Wer Moderiert verschiedenste Melodien im Kopf herum Geistern; auf absolut positive Art allerdings. Das soll an die alten Musicals anknüpfen. Weitere Artikel finden Sie in:. Die Schauspieler sind sehr gut zusammen, die Lieder Tribute Von Panem 2 Online Anschauen richtige Ohr-Würmer und die Geschichte ist so realistisch und schön.

It was only through getting interested in more out-there and avant-garde forms that the musical suddenly seemed like such a wonderful genre to me.

It's certainly no coincidence that big bands became the entertainment of the army in WWI and WWII, and that jazz drumming style is very military influenced.

The snare drum comes from the military and becomes the core kind of sound of jazz drums. I was a jazz drummer, and it was my life for a while: what I lived and breathed every day.

I find L. As a movie junkie, it's a city that was built by the movies. There's something really weird and surreal about it that I find energizing.

I wanted to look at the mentality that can breed that sort of intensity, that kind of cutthroat, pressure-cooker feeling, especially a form of music like jazz, that should be - or you'd think should be - all about liberation and improvisation and everything.

Certainly, I've loved musicals for a while, so I did some short films in college that had musical numbers and things like that, so I've kind of been obsessed with Fred and Ginger and Vincente Minnelli and Stanley Donen and Jaques Demy forever.

I was in high school, and when you get to be 14, 15, you start to feel a little more like your own person so that you can assert your adulthood a little bit.

I remember being inspired myself when smaller films, whether it's 'Beasts' or 'Winter's Bone,' wound up in the Oscars lineup.

As delicate as 'Guy and Madeline' was, it was important that 'Whiplash' come off as more of a fever dream. I remember when I first met Jason Reitman with the 'Whiplash' script; he quickly became a mentor figure who guided me through the process and also protected me and made sure that when it came time to actually make 'Whiplash,' I was able to make exactly the movie I wanted to make.

I don't like the idea the viewer can kind of sit there and go, 'Make me like this person. One interesting thing about jazz, or art in general, but jazz especially is such an individual art form in the sense that improvisation is such a big part of it, so it feels like it should be less soldiers in an army and more like free spirits melding.

And yet, big band jazz has a real military side to it. My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical to what art should be.

I think there is something to be said for not coddling people and not accepting good as good enough.

I think, especially living in L. Before 'Whiplash,' I'd had a string of failed scripts. I'd pour my blood, sweat and tears into them, and no one would like them.

If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with.

I've always found it so fascinating. Going back to my film education, I always have that voice in my head that's always screaming, 'Sell out!

There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotional people, people who aren't capable of emotions, and people think they're very cold inside.

I do truly believe that the smallest stories can wind up being the biggest because it's through the specific that a writer can best access the universal.

First time that I cried at a work of art was at a drum solo that I saw. A drummer named Winard Harper, part of the Billy Taylor Trio, gave back in - I would have been in high school - or something.

I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world. My dad is a big jazz fan, and that was the reason I first got into jazz.

What I love about jazz is that it's full of legends, full of myths. It's an oral history because it started in New Orleans and Kansas City, under the radar.

If you want to make a movie, there may be many forces trying to pull you down, but really, a lot of it is will power. You can will it into being if you just believe that you are going to make a movie.

I feel you should only do projects that scare you to some degree. I get motivated by those sorts of feelings. In a weird way, I'm always going to ground myself.

I'm an insecure kind of pessimist, but I'm always kind of waiting for the other shoe to drop. What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance.

How can you not love that? I like the idea of working my way up. I don't feel impatient to immediately jump into something that could literally bring down a studio if I don't do it well.

If there's a good review, I'll skip over the headline, but I always find the bad reviews and read those. I don't know why. It's a little sick and demented.

Nothing is guaranteed to last, so you should just enjoy it as it happens. In some ways, jazz is the most precise of art forms and the loosest in the sense that it's all about improvisation, but the musicianship required is kind of insane.

To actually play with real jazz musicians is a different level of musicianship that almost has no equal in any other form of music in the world. My hands were constantly blistered or bloody; my ears were always ringing.

I tore through drumheads and drumsticks like there was no tomorrow. Mozart was born Mozart. Charlie Parker was born Charlie Parker. I guess art itself is insane.

Its actual function is rarely clear, and yet people give their hearts and souls and lives to it, and have for all of history.

I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.

I was really trying to sell to people who hate jazz: to make a case for the art form as youthful and energetic, not the sort of rarified intellectual activity it's painted as.

Practicing is not normally fun. Sometimes people say they're practicing, but they're really just enjoying themselves and the instrument.

That's not real practice. Real practice means working on stuff you're not good at. Real practice is about butting your head against the wall repeatedly until you get it right.

What Christopher Nolan achieves in "Dunkirk" feels like something he has been building toward his whole career. It's cinema as music - a continuous, breathless flow of images and sound that feels elemental and primal.

For such a giant motion picture, depicting such an epic event, it is simplicity itself. Faces, bodies, land and sea and sky.

It reminded me of the lessons of silent cinema - when you strip away everything but the essentials, you can look at the real beating heart of a thing.

In this case, the "thing" is a battle that few people in America had ever heard of. How could a movie called "Dunkirk," in this day and age, draw so many people to movie theaters across the country?

It's something of a miracle, a giant middle finger to all the claims that there's no place for big risks on the big screen anymore.

This is a work of pure cinema, speaking the same language as the cut from flame to desert in "Lawrence of Arabia" or bone to spaceship in " It captures something that feels uniquely British - the exchanges near the end of the film for example, as the weary soldiers return, bottling up a tremendous reserve of feeling within just a few words.

There's a real poetry in their stoicism; for all the bombs and shrieks of gunfire, this is a quiet film. In that combination of scope and subtlety, the enormous canvas and the tiny, telling detail, it feels closer to the best work of David Lean than any recent movie I can recall.

More than that, it feels like Christopher Nolan. This is a filmmaker who has managed, time and again, to make the most seemingly impersonal projects - superhero epics, deep-space mind-benders - feel deeply personal.

It was what I imagined the young Godard and Truffaut being like: tearing down certain heroes, building up others, and crafting their own language.

View agent, publicist, legal and company contact details on IMDbPro. Edit page. American 11 United Favourite Directors.

Fav Directors. Share this page:. Clear your history. April 17, The Hollywood Reporter. The Daily Beast. Entertainment Weekly. Retrieved January 19, Retrieved January 27, Retrieved September 13, Rotten Tomatoes.

Archived from the original on January 19, Retrieved January 15, Retrieved July 12, Retrieved June 21, Boston Globe.

Retrieved December 3, Deadline Hollywood. Retrieved December 29, Fandango Media. Retrieved September 12, Retrieved August 30, Retrieved August 26, Retrieved September 1, Retrieved October 25, Retrieved June 19, January 8, Retrieved August 22, Europe 1 in French.

Retrieved October 31, Damien Chazelle. The Eddy Awards and nominations Bernard Chazelle father Celia Chazelle mother.

Awards for Damien Chazelle. Academy Award for Best Director. Mankiewicz Joseph L. Mankiewicz John G. Joseph L.

Mankiewicz Robert Rossen Joseph L. Golden Globe Award for Best Director. Golden Globe Award for Best Screenplay. Namespaces Article Talk. Views Read Edit View history.

Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version.

Wikimedia Commons. Director producer writer. Bernard Chazelle father Celia Chazelle mother. Full list. Guy and Madeline on a Park Bench.

Co-screenwriter with Ed Gass-Donnelly ; story writer. La La Land. Academy Award for Best Actor. Academy Award for Best Actress.

Academy Award for Best Supporting Actor.

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